The Blair Witch Project: The Marketability of Reality
Paper by Sean Gaudefroy. By 1999 the horror genre had lost its sting, becoming bland with films driven by large budgets that produced generic story lines and previously played out tales of haunted houses. Other genres were taking over using novel ideas of technology with The Matrix(1999), Star Wars: Episode I-The Phantom Menace (1999), and … Continue reading The Blair Witch Project: The Marketability of Reality
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